Get to know Paducah’s Logan J. Blackman and some of his music conducting work: When Blackman got to the University of Kentucky, he started working on adapting “Prayer” into an orchestral work, at first simply transcribing it. But then, he started to do more, and the work attracted attention. “He joined the orchestra as an undergraduate bassoonist, and it soon became clear that his interests were wider than just playing the bassoon,” UK Symphony Orchestra director John Nardolillo says. “I knew he composed, and he asked me if I would look at the score to this piece he’d been working on. Then he asked if he could take some conducting lessons. So he was working on conducting and I looked at the score, and the score is interesting, and his level of commitment and involvement and interest in conducting, composition and performing is quite high. The story of the piece is compelling, and it seemed like we were in a position to help him with those things. See additional info on https://pin.it/2AWr4hz.
Wow. I am so deeply sorry for your loss. I can’t even imagine what that has been like for you. You are a strong man. Speaking aside from your personal perspective, where do you find your inspiration? Logan J. Blackman : I take a lot of inspiration from John Williams, Beethoven, Brahms, Mahler, and Mozart. What are you currently working on? Logan J. Blackman : Compositionally, I only have a new set of bassoon duets I am working on. However I intend to be writing more very soon. Most of my musical efforts today have been working towards doing some recording of piano works.
Doors for the UK Symphony Orchestra concert open 7 p.m. Friday, Feb. 17, with music beginning at 7:30 p.m. Tickets are $10 for general admission, $5 for students, and free for UK students with a valid ID before the day of the performance (only purchase in person at the Singletary Center ticket office). A processing fee will be applied to tickets upon completion of transaction. Tickets are available through the Singletary Center ticket office online at www.scfatickets.com, by phone at 859-257-4929, or in person at the venue.
When Bernstein composed the Cinchester Psalms, he specified that the second Psalm be sung by either a boy soprano or a countertenor. The voice of a boy soprano imparts a sense of innocence and spiritual purity, and a well-trained countertenor can sing with unrestrained clarity within the vocal range of a contralto or mezzo soprano. His voice resonates a distinct timbre simply because it is a male voice singing outside the limits of its ordinary range. Although Bernstein’s Psalms are sung in Hebrew, we are all familiar with the biblical text. Jefferson Johnson conducted this demanding choral work as the combined choruses admirably rose to the occasion. The first Psalm calls for us to live joyfully; the third pleads for us to live in unity; the second, bridging the first and third, encourages us to travel through life with faith and courage. And countertenor Joseph Kingsbury delivered this Psalm with mesmerizing articulation, tonality, and agility: “The Lord is my shepherd, I shall not want.”
Currently a music performance junior at UK, Blackman has studied conducting with Lucia Marin and Daniel Chetel, composition with Mike D’Ambrosio at Murray State University, bassoon with Professor Scott Erickson of Murray State University, organ with Bobbie Sue Chumbler of Paducah, and piano with Malissa Heath of Paducah. At UK School of Music, he is currently studying conducting with Nardollilo, composition with Professor Joseph Baber, and bassoon with Professor Peter Simpson. Read more details at Logan Blackman.